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Pixmac.com is the leader in microstock photo site services, with a monumentally huge 10 million+ stock photos and resources at there disposal, it is by far the leader in there field.

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Whether you are reading a printed magazine or a web article it is very rarely the content that draws you in at first, the hook is always the title or the headline. A well written and thought out title or headline are fundamental, it has to not only describe with very few words the articles content but also has to be formatted in a way that it draws the attention of your readers and is a seemingly must read – a difficult combination to achieve.

There are many ways of of making your headlines that little bit more distinctive, none are as important as choosing the correct font. Most fonts can be big and bold, but finding one with a little bit of character that helps emphasize and describe the title and the content can be difficult.

With that in mind, Peter Olexa from Fonts2u has put together this article of his top 20 beautiful, professional and distinctive free fonts you shouldn’t be missing from your font library.

01 Diavolo

02 Fertigo

03 Museo

04 Comfortaa

05 Raspoutine Demi Bold

06 Gauntlet Classic

07 DuePuntoZero

continue reading…

Radim Malinic has firmly established himself over the last few years as one of the most successful and prolific commercial illustrators working today. His sought after work has earned him reputation of one of the hardest working person in the creative industly with a who’s-who’s client list in the advertising world of household brand names. Based on his award winning work he has become renowned worldwide for the passion and intricate detail.

Under the name of Brand Nu, he tells stories in vibrantly colourful images throught mixtures of shapes, handrawn elements and photo manilpulation, evoking subtle emotions, feelings and excitement. You’re likely to spot Brand Nu work wherever you go, the ever so expanding portfolio extends from product advertising, interior murals, print ads, album covers and full promo campaigns to book and magazine covers, masterclass turorials, limited edition prints and lots more.

Continue Learning…

Discover how to draw complex shadows, highlights, and even flames in Inskscape. We’ll be using gradients, blurs, and clipping to simulate the effect of Illustrator’s gradient mesh in Inkscape. Let’s jump into this tutorial!

Final Image Preview

Below is the final image we will be working towards. Want access to the full Vector Source files and downloadable copies of every tutorial, including this one? Join Vector Plus for just 9$ a month.

Tutorial Details

• Program: Inkscape
• Version: 0.46
• Difficulty: Intermediate
• Estimated Completion Time: 1 hour

Step 1

Do a Google image search for “candle.” We won’t be tracing over a reference image, but you may want to study several photos. There are a lot of subtleties to a candle’s lighting, and it’s hard to create them from your imagination alone.

We’ll be using several layers, and it helps to give them descriptive names. Rename the current layer to “Trunk.” This will hold the body of the candle.

Using the Pen tool, draw the outline of the candle. The top of the shape you draw will ultimately become the top-rear of the candle. If you make the top wavy like I did, the candle will look like it’s been burning for awhile.

Note that the very top of the candle is wider than the base. This gives the impression that the wax has melted and curled over a bit. We’ll strengthen this effect later with highlighting.

I drew the bottom arc by hand, but if you want, you can use the Ellipse tool, then merge it with the rest of the shape. To do that, select both the ellipse and the shape. Then click Path > Union.

Step 2

Right-click the shape and select “Fill and Stroke.” Select the Fill tab and click the linear gradient icon. Click Edit and set up gradient stops with these four parameters: (1) Offset of 0.00 and Color of #c62f08ff, (2) Offset of 0.30 and Color of #c03c08ff, (3) Offset of 0.60 and Color of #bd4607ff, and (4) Offset of 1.00 and Color of #df512aff.

Step 3

Create a new layer on top of the current one and call it “Top.” Using the Pen tool, draw an irregular elliptical shape. This will be the top of the candle.

Step 4

Fill the shape with a radial gradient. This creates a highlight in the center where the flame will eventually be. The stops for this gradient are: (1) Offset of 0.00 and Color of #fffab0ff and (2) Offset of 1.00 and Color of #ffac19ff.

Step 5

Now we can start highlighting the candle. This is the most important part, as almost all of the depth in the image comes from the highlights.

Create a new layer between the “Trunk” and “Top” layers, and call it “Trunk Highlights.” Draw a simple box across the upper half of the candle.

Step 6

Fill the box with a radial gradient. Unlike the others, this one will go from solid to transparent. The stops are: (1) Offset of 0.00 and Color of #ffac29c3, (2) Offset of 0.47 and Color of #ffa92247, and (3) Offset of 1.00 and Color of #ffa21c00.

Step 7

We can’t let that highlight spill over the way it’s doing now, so we have to clip it within the bounds of the trunk. To do that, select the trunk (the first shape your created) and copy it to the clipboard. Choose Edit > Paste In Place. Fill it bright green so it stands out.

Remove the top of the shape as illustrated below. Handy Trick: To get rid of Bezier handles, mouse over them and Control-click.

Step 8

Make sure the green trunk copy is above the highlight. You can reorder objects with page-up and page-down.

Select the green trunk copy and the highlight. Choose Object > Clip &gt Set. The highlight should now be clipped to the shape of the trunk.

Step 9

We’ll now add highlights to the sides of the trunk, simulating a studio lighting setup. Draw two shapes like those shown below.

Step 10

Select the two shapes, go to Fill and Stroke, and set their Blur to 4.0.

Step 11

Give them each a linear gradient going from white to transparent. Clip them both to the shape of the trunk, following the same procedure as before.

Step 12

Now we’ll emphasize the lip around the top with some highlights. At the top-front, draw a shape like that shown below (green shape), just below the edge.

Step 13

Blur it.

Step 14

Apply a white to transparent radial gradient.

Step 15

Draw similar shapes at other points around the lip.

Step 16

Blur them and add radial gradients.

Step 17

These few sharp highlights aren’t quite enough to suggest the shape of the lip. So, we’ll add one subtle highlight going all the way around. This shape will be a ring with a hole in the middle. To achieve that, draw the outer ring, and then draw the inner ring on top of it. Select both rings and choose Path > Difference.

Step 18

Set it to a semi-transparent white and Blur it. This one doesn’t need a gradient.

Step 19

To suggest light coming from the flame, we’ll add a highlight on the inside of the lip. Drawing the left and right sides of the shape requires a bit of three-dimensional thinking.

Step 20

Blur the inner highlight. Thanks to our layering, the Blur doesn’t spill over onto the yellow ellipse.

Step 21

Apply a radial gradient going from orange-yellow to transparent. Extend the gradient handles beyond the bounds of the object.

Step 22

We’re done with the highlights. Here’s how it looks so far, shown below.

Step 23

Now we can start drawing the wick and flame. First, draw an ellipse in the top-center, color it yellow-orange, and give it some Blur. This will simulate the pool of molten wax around the wick.

See all steps here…