In this tutorial, we’re going to teach you how to replicate Apple’s iPod Nano. Not only will we recreate it’s signature body form, but also the headphones and put them in a unique setting that makes it pop. This an easy to follow step-by-step tutorial, and altering the final appearance should be a piece of cake, especially if you’re a Plus member! Changing the appearance is only a metter of picking a few different colors or adding your own textures as skins!

Final Image Preview

Let’s take a look at the image we’ll be creating. Want access to the full PSD files and downloadable copies of every tutorial, including this one? Join PSDTUTS PLUS for just $9/month.

Step 1

Create a new document with these settings like 1a. The first layer, call it “background” and fill any color. Then Open the Blending Options and settings (1b).

Step 2

Create a new folder, call it “ipod”. In this folder, create a new layer, call it “ipod” as well. Select the Rectangle Tool (U) to draw a rectangle shape like the one below (2a). Select the Pen Tool and click on the shape. After that, create four nodes of the shape as shown. At the top line, click to make a node between two top nodes. Then correct the top line of the curve by holding “Command” down, and clicking and dragging the node upward by a little (2b). Do the same with bottom line, but downward this time(2c). Then press Command + Enter to make the selection and fill that with color (2d).

Step 3

Open the Blending Options menu for “ipod” and adjust the settings like in image 3a. Create a new layer on top, call it “light ipod”. Use the Rectangular Marquee Tool (M) to make a rectangle selection and fill it with white (3b). Then reduce the Opacity to 30% (3c).

Step 4

Create a new layer on top, call it “screen bg”. Use Round Rectangle (set Radius: 5px) to draw a shape like one below and fill it black color (4a). Then open Blending Option and setting (4b).

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The world that surrounds the topic of Web Design is home to many debates and opinions on best practices or generally how things should and shouldn’t be done. While many of these opinions are accepted and taken on board by everyone, there are some that end up being split into two opposing camps. One camp will provide an expert opinion for one side of the argument, while the other contradicts with an equally valid argument. Let’s take a look at the five most popular debates; the ones that often end up developing into digital riots with opinions flying like arrows across the vast no-man’s land known as the comments section.

Should links open in a new window?

Camp one says:

Links to external sites should always open in new windows. There’s nothing more annoying than browsing a website, clicking a link and being whisked off to a totally new site, losing the page you wanted to revisit. Internal links should maintain the browser session in the current page, but anything that leaves the site should open in a new tab or window.

Camp two says:

As web designers we shouldn’t take the control away from the user. Whether a link needs opening in a new window is their choice. There’s nothing more annoying than a website taking control of my browser and opening a new tab or window for a link without my permission; if I wanted to open it in a new window, I’d do so! The problem only gets worse with inexperienced computer users, new windows break their trusty ‘back button’.

The mediator says:

In general, opening a new window should be avoided, but is recommended for some situations such as opening a help link in a shopping cart or opening a non-html document such as a PDF. To further aid the usability of your site, use a small icon to identify links that do open in a new window, or provide an options panel that’s configured with Javascript.

Further reading:

• Should Links Open In New Windows?
• Beware of Opening Links in a New Window”
• Open New Windows for PDF and other Non-Web Documents

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Design Instruct Week is a weeklong celebration of our newly launched site, Design Instruct. This week on Six Revisions will cover topics that deal with running websites and design, written by the founders/editors of Design Instruct and Six Revisions.

Be sure to check out the Design Instruct Week Twitter Giveaway, which gives out different prizes every day of Design Instruct Week.

Design Instruct Week Twitter Giveaway

We’ll start off Design Instruct week with an announcement: top notch companies that support the design industry have signed on to give away amazing products and services on our Twitter-based giveaway.

For 7 days—from March 1 through March 7, 2010—we’ll have different prizes to hand out. The best way to make sure that you don’t miss out is to follow Design Instruct on Twitter and to read this post on Design Instruct.

Prizes such as the Apple iPad, subscriptions to stock libraries, and more, will be given away.

You just have to stay tuned to find out what the prizes will be!

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The Internet world exploded with the news of the Apple tablet launch last week. Named the iPad, it’s set to bring yet another revolution to the way people access and browse the web. An iPad icon would be a sensible addition to any web designer’s resources toolbox, so let’s fire up Photoshop and create our very own detailed iPad icon graphic.

The icon we’ll be creating features the typical front view of the iPad. Using the Apple website for reference, let’s get started.

Create a new document, and use the Rounded Rectangle Tool to draw a portrait shape onto a new layer. Set the corner radius to 20px and the fill to white.

CMD-click on the layer thumbnail to load the selection, then go to Select > Modify > Contract and enter 3px. Create a new layer and fill this new selection with black.

Double click the first layer, with the white rectangle to open up the Layer Style options. Add a grey Inner Glow just 3px in size, with the blend mode of Normal.

Next, double click the black rectangle’s layer. This time add an Outer Glow using a lighter grey, also set to 3px in size and a blend mode of normal.

Use the Rectangular Marquee Tool to draw a thin 1px buttons on the top edge and side of the body to represent the lock and mute switches. Fill these with a subtle grey gradient.

To create the volume button, draw a thicker rectangle to begin with, then use the Elliptical Marquee Tool to delete out a central portion.

The main screen of the iPad often features a vibrant background wallpaper graphic. An amazing Creative Commons photo from Flickr user Arnar Valdimarsson fits pefectly. Use the marquee tool to crop down the photograph to the screen dimensions.

Drag a guide to identify the centre of the iPad body, then draw a circle with the Elliptical Marquee Tool. Fill this circle with a black to grey gradient to simulate the depth of the button.

On a new layer, use the Pencil tool in 1px size to draw a square, then delete out the four corners using the Eraser. Lower the opacity to around 25% to blend in the icon.

No Apple product would be complete without it’s reflections and light casts. CMD-click on the thumbnail of the main body to load the selection, then fill this with a white gradient spanning from the top right. Reduce the opacity of this layer to suit and move it to the top of the layer stack so that any underlying elements are affected by the light cast.

Onto the main iPad interface. Draw a thin selection across the top of the screen and fill with black to recreate the status bar. Lower the opacity to allow the background to show through.

Use the pencil tool to draw a simple battery icon, then add a simple selection of text elements.

Fill a rectangular selection with grey at the bottom of the screen, then press CMD-T to transform. Right click and select the Perspective option, then move the top corners inwards to create the basic shape of the iPad dock.

Double click the dock layer to add new Layer Styles. Add a gradient spanning from dark grey to light grey, then back to the dark grey. Set this to run horizontally across the dock.

Add an Inner Shadow to represent the tiny edge of the dock. Set the options to a light grey with the blend mode of normal. Use a -90 degree angle, a distance of 1px, a choke of around 27% and a size of 2px.

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In this tutorial, you’ll learn to design a realistic calligraphy pen from scratch. The tutorial involves a simple use of the Pen Tool and a few flexible Layer Styles. Lighting and reflection techniques are explained throughout the tutorial. This might be a quite useful for icon enthusiasts. Let’s dive in…

Final Image Preview

Take a look at the image we’ll be creating. Want access to the full PSD files and downloadable copies of every tutorial, including this one? Join Psd Plus for just $9/month. You can view the final image preview below.

Tutorial Details

• Program: Photoshop
• Version: CS
• Difficulty: Easy
• Estimated Completion Time: 25-35 mins

Step 1

Create a new document with these settings:

Step 2

Create a new layer set and name it “Pen”. Select Pen Tool (P) and draw a shape like one below. Before making the shape, make sure to select “Shape Layers” option from Options bar. Name this shape as "base" and give it a Gradient Overlay of gray shades.

Step 3

Draw another shape using Pen Tool and name it “body”.

Step 4

You need to add some reflections to the body. Create a new layer and Command-click on “body” layer, fill the selection on the new layer with white. Press Ctrl+T and reduce the width of the new layer to 75%. Now go to Filter > Blur > Motion Blur ,click OK after making the settings shown below. Finally, reduce opacity of the layer to 50% and give it a Gradient Overlay.

Step 5

Use Rectangle Tool (U) or Pen Tool (P) to make a shape like one below and name it “neck” for convenience. Give it Layer Styles as mentioned.

Step 6

Just like the body of the pen, add reflections to the neck but while doing so, change the opacity of first reflection layer to 75% and that of duplicate layer to 100%, keeping size reduction proportions same.

Step 7

Using Pen Tool (P), make a curved strip as shown.

The strip looks very smooth but actually it has got some aliasing which can create problems in the forthcoming steps. To fix this, right-click on the shape layer and select “Rastersize” from the menu. Now apply these filters to the layer:

Filter > Blur > Gaussian Blur (Radius = 0.5 px)
Filter > Sharpen > Sharpen Edges

Next, give the strip these layer styles.

Step 8

Create a new layer (name it “shadow”) and place it below “strip” layer. Command-click on strip layer and go to Select > Modify > Expand, type 2 px and click OK. Now fill the selection with black on the “shadow” layer. Next, apply Filter > Blur > Gaussian Blur (Radius = 0.5 px) to the layer.

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Learn how to create a simple three-dimensional icon of a paint bucket, complete with paint splotches, with this colorful tutorial. Harnessing the power of paths, layer effects and consistent lighting we’ll obtain an effective, shiny icon.

Final Image Preview

Take a look at the image we’ll be creating. Want access to the full PSD files and downloadable copies of every tutorial, including this one? Join Psd Plus for just $9/month. You can view the final image preview below.

Tutorial Details

• Program: Adobe Photoshop CS4
• Difficulty: Intermediate
• Estimated Completion Time: 30 minutes

Step 1

Open a new blank document and choose 512px for both width and height. This is the maximum size required for icons (Mac OS X Leopard). Create an ellipse above the center and to the left and name it “outer rim” (1a). Make two copies and scale them down (1b). Name the first “inside.” Move the other copy down, naming it “bottom” (1c).

Step 2

Create a new copy of the smaller ellipse and make it yellow, which will make the paint’s surface (2a). Position it inside the bucket, erasing the unnecessary pixels (2b). Name this layer “paint.” Now make a rectangular selection with the Marquee Tool (M) on the “bottom” layer and fill it to complete the bucket (2c). With the “bottom” layer selected hit Command + T to invoke the Free Transform Tool. Right-click and choose Perspective. Now drag the bottom corners towards the center to apply the correct perspective deformation (2d).

Step 3

Let’s shade the bucket. Light will come from the right side. Apply a Gradient Overlay (3a) and an Inner Glow (3b) layer effect to the “bottom.” The base color is a medium gray with lighter bands that simulate reflections, as shown below.

Step 4

Double-click the “outer rim” layer to open the Layer Style window and apply Inner Glow (4a). On a new layer below, paint a shadow for the rim using a big, soft brush. Choose black and paint lightly with one single stroke, following the rim’s curve. Shadow layers are always set in Multiply mode with their opacity turned down (4b). Name this layer “rim shadow.”

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The theme of retro futurism combines digitally created graphics and abstract shapes with distressed and aged textures, giving that cool mix of old and new. Let’s take a look at how to create our own bright and colourful retro futuristic poster in Photoshop, using dynamic lines, vibrant gradients and rough textures to build up the design layer after layer.

The design we’ll be building is made up of a range of abstract shards that spread across the page at 45 degree angles. As each layer is overlapped with various gradients and blending modes the design soon starts to develop a cool and vibrant futuristic theme as the colours interact with each other. Mixing this up with a couple of paper and cardboard textures then adds a twist to the digital design, making it feel more tactile and weathered.

Open up Photoshop and create a new document. Create the document at your desired dimensions, here I’m using a size of 297×420 (A3), with a resolution of 300dpi to give me the option of having the poster professionally printed if I so wished in the future.

Fill the background with a dark blue, such as #171a8b. This will act as the base colour that all proceeding layers will interact with.

Use a large soft brush to dab two spots of colour onto a new layer. I’ve chosen a bright pink and yellow. These two spots will also help act as a base for any future layers to interact with.

Use the Polygonal Lasso Tool to draw a diagonal rectangle across the width of the document. Hold the SHIFT key throughout to constrain the axis to 45 degrees. Fill this selection with a random purple.

Change this layer’s blending mode to Soft Light, then double click the layer to open up the Layer Styles. Add a Gradient Overlay with the blend mode of Overlay.

On a new layer, draw a couple more diagonal shards, this time make them slightly smaller in size and overlap them with the original rectangle. Fill these with a red hue.

Right click on the layer of the original rectangle and select Copy Layer Style. Right click on the new layer of shards and choose Paste Layer Style. Continue this process of drawing new shards spanning from the top left, and paste the layer style on each.

As the number of shards builds up, begin to add a couple that span from the bottom right to fill out any gaps in the design.

Begin adding some shards in the opposite direction, spanning downwards from the top right of the page. Keep the SHIFT key held throughout to maintain those angles.

Give each shard a different colour, choosing between blues, purples, reds and black. Each colour will give a different effect as it interacts with the underlying gradients.

As the design builds the overlapping shards will interact and create new highlights and hues within the design. Take a step back to review the design once you have a healthy number of layers.

The design is looking pretty cool so far, but it’s a little too ‘digital’. Find an old paper texture from SXC.hu that contains various imperfections and marks. Paste it into the document at the bottom of the layer stack and scale to fit, then drop the opacity to around 40%.

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